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The Sunshine Fix really like The Beatles

By Derek Cunningham

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Published: Friday, September 10, 2004

Updated: Sunday, September 6, 2009

Some bands wear their influences on their sleeves. The Sunshine Fix, a psychedelic band from Athens, Georgia, seem to have blown an entire month's paycheck at the All-You-Can-Wear Brit Pop Clothing Boutique. They are the Super Furry Animals without the politics, The Beatles without the rock. That is not to say their new album, "Green Imagination," is bad. Actually, it's quite enjoyable. The music is bright, cheery and melodic. They stay focused on creating pop songs, and they never stray too far into experimental ambience. They do use a lot of psychedelic sounds - bubbling vocals, swirling keyboards, backward guitars - but those sounds just provide a good layer of texture. At the worst, it can be cheesy, but it is never excessive. The lyrics are nothing special. They can be silly at times, like on the song "Interstate": "Interstates/And all those roads/Leading to some place/We want to go/Like Innerspace/And all those places we go/Today/The logical way where we/Can see the answers lying within." Other times they are absurd, pseudo-poetic lines like, "Papers fall where text exists/Uh-huh/Taking names from Sunday's lists/Uh-huh," from the song "Papers Fall." Yet Bill Doss, the lead singer, has a good voice and a great ear for melody. There have been worse lyrics to better songs. Their best use of psychedelica is on the song "Extraordinary/Ordinary." This song is a superbly orchestrated two-and-a-half minutes. The music floats from rock riffs, to layered sound beds, to an acoustic guitar/trumpet duet with ease. It is played against a backdrop of goofy hooting and bouncy drums. The song is coherent, catchy and fun to listen to. Most of the other songs are more mellow and dreamy. It is here their influences shine a little too brightly. The songs aren't bad, but they are incredibly similar. They all have approximately the same tempo and float-on-the-clouds feeling. A Beatlesque organ riff (think "Fool on the Hill," not "Hey Jude") appears on almost every track. You feel like you've heard these songs before somewhere. Something happens, though, with the last three songs. For most of the album, the Sunshine Fix are attempting to create a mood. But toward the end, they start attempting to create songs. These songs are complete, stand-alone pieces. They sound different from the rest of the album, and the band's influences aren't as obvious. "Face the Ghost" is a bluesy rocker. The music swaggers under Doss's sleepy vocals. There's a dirty, down-home guitar solo in the middle. The chorus is filled out by a brassy horn. The Sunshine Fix break away from their usual sound with gusto. "Runaway Run" returns to the mellow pace of the album, but it is much folkier. It opens with delicate finger-picking, and crescendos into an anthemic chorus. The Georgia Children's Chorus shows up at the end. You can tell how adorable they are from their voices. "Sunday Afternoon" is fast, loose and goofy. The end of the album shows that The Sunshine Fix are capable of writing really good songs. However, they seem to be caught in a trap of psychadelica. Some albums are great for driving; some for dancing; some for making out; some for throwing stuff. This album is great for laying outside with a glass of iced tea and thinking about how flowers are pretty, and "Man, wouldn't it be great if everyone, like, got along with each other?"

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